On the Ferry from Martha’s Vineyard

By on Jul 12, 2015 in Poetry

Sunset off Martha's Vineyard

There is a cool fire, one that is inviting
to touch with a half-promise it will not
burn you. I’ve seen it in the eyes
of kindness once or twice. But I saw it
or something like it too when I rode the ferry
from Martha’s Vineyard back to Massachusetts
after a busy day galumphing and happy
when the sun was lowering. Suddenly

the sea turned into a horizontal blaze
and I into a child on a merry-go-round
wanting to clasp the brass ring. At least that
is how the ripples of the sea
attracted me with their powers of enchantment
at about 6:40 just as the day
was thinking about turning again into a night.

It lay as a field of a million salt-sweet poppies
with a carpeted lane in front of the ferry leading
to Wood’s Hole, as if rolled out just for me.
For I had climbed and now leaned like a masthead,
so everyone else on the boat disappeared behind.

And all was orange. Glossy orange, then matte.
And then the conflagration dipped to a mere glisten
and then the spell was gone. But since then I
have believed that even in water molecules,
no less in the air, therefore certainly every solid,
there is fire, which if you are alert and catch,
you can see: There is a luster to the world!

I look for it every time I turn a corner
particularly at twilight, wherever I am,
and in strangers’ eyes as well when I meet them,
which are aqueous as the sea at Martha’s Vineyard
and lit—though from within—by a lowering light.

About

James B. Nicola is a frequent contributor to Wild Violet. His six full-length collections are Manhattan Plaza (2014), Stage to Page (2016), Wind in the Cave (2017), Out of Nothing: Poems of Art and Artists (2018), Quickening: Poems from Before and Beyond (2019), and Fires of Heaven: Poems of Faith and Sense (2021). His decades of working in the theater as a stage director, composer, lyricist, playwright, and acting teacher culminated in the nonfiction book Playing the Audience: The Practical Guide to Live Performance, which won a Choice award. A Yale grad, he hosts the Hell's Kitchen International Writers' Roundtable at his library branch in Manhattan: walk-ins welcome. Website: <a href="James B. Nicola is a frequent contributor to Wild Violet. His six full-length collections are Manhattan Plaza (2014), Stage to Page (2016), Wind in the Cave (2017), Out of Nothing: Poems of Art and Artists (2018), Quickening: Poems from Before and Beyond (2019), and Fires of Heaven: Poems of Faith and Sense (2021). His decades of working in the theater as a stage director, composer, lyricist, playwright, and acting teacher culminated in the nonfiction book Playing the Audience: The Practical Guide to Live Performance, which won a Choice award. A Yale grad, he hosts the Hell's Kitchen International Writers' Roundtable at his library branch in Manhattan: walk-ins welcome. sites.google.com/site/jamesbnicola