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	<title>Wild Violet online literary magazine &#187; Suellen Wedmore</title>
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	<link>https://www.wildviolet.net</link>
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		<title>Reading &#8216;Elephant&#8217;</title>
		<link>https://www.wildviolet.net/2013/03/03/reading-elephant/</link>
		<comments>https://www.wildviolet.net/2013/03/03/reading-elephant/#comments</comments>
		<pubDate>Mon, 04 Mar 2013 02:50:46 +0000</pubDate>
		<dc:creator><![CDATA[Suellen Wedmore]]></dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[childhood]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[elephant]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[nature imagery]]></category>
		<category><![CDATA[reading]]></category>

		<guid isPermaLink="false">http://www.wildviolet.net/?p=2944</guid>
		<description><![CDATA[A sight-reading child, I thrilled to the image sheathed in a word—&#160; &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; elephant— the elongated contour, the tall l, h, and t, transporting me to an African&#160; &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; savannah, to baobab trees and a striped big top, a sequined gymnast in arabesque on a blanketed, thick-skinned back.&#160; &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Circus of the preposterous—who created your [&#8230;]]]></description>
				<content:encoded><![CDATA[<p align="center"><img src="http://www.wildviolet.net/aimages/2013/reading_elephant.jpg" alt="Purple page saying 'E is for Elephant' with an elephant" /></p>
<p>A sight-reading child,<br />
I thrilled to the image<br />
sheathed in a word—&nbsp;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>elephant—</em></p>
<p>the elongated contour,<br />
the tall <em>l, h,</em> and <em>t,<br />
</em>transporting me to an African&nbsp;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; savannah,</p>
<p>to baobab trees and a striped big top,<br />
a sequined gymnast in arabesque<br />
on a blanketed, thick-skinned back.&nbsp;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Circus</p>
<p>of the preposterous—who created<br />
your enormous folds? That thousand-<br />
muscled trunk, your euphonium call?&nbsp;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Who</p>
<p>imagined such cleverness, your two tons<br />
of brawn balanced on legs like pillars?<br />
And yet, in our flawed world, you were&nbsp;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; not prized.</p>
<p>Consider de Brunhoff’s bowler-hatted,<br />
green-suited <em>Babar, </em>and Hannibal,<br />
whose passion for war led you,&nbsp;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; gentle behemoth,</p>
<p>across the Alps, exploited<br />
your instinct to charge, your<br />
fierce facade. Your roaring&nbsp;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; potential.</p>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Dinner at the Museum of Fine Arts</title>
		<link>https://www.wildviolet.net/2012/11/11/dinner-at-the-museum/</link>
		<comments>https://www.wildviolet.net/2012/11/11/dinner-at-the-museum/#comments</comments>
		<pubDate>Sun, 11 Nov 2012 16:10:04 +0000</pubDate>
		<dc:creator><![CDATA[Suellen Wedmore]]></dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[culinary]]></category>
		<category><![CDATA[food]]></category>

		<guid isPermaLink="false">http://www.wildviolet.net/?p=2600</guid>
		<description><![CDATA[&#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#8230;the object is not to make art, &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; but to be in the wonderful state which makes art inevitable. &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; —Robert Henri: The Art Spirit &#160; For an appetizer, try olives à la Picasso, &#160; &#160; &#160; &#160; &#160; &#160; [&#8230;]]]></description>
				<content:encoded><![CDATA[<p align="center"><img src="http://www.wildviolet.net/aimages/2012/dinner_museum.jpg" alt="Fancy dessert on painted background, in frame" /></p>
<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &#8230;<em>the object is not to make art,<br />
</em><em>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; but to be in the wonderful state which makes art inevitable.</em></p>
<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </em>—Robert Henri: <em>The Art Spirit<br />
&nbsp;</em></p>
<p>For an appetizer, try olives à la Picasso,<br />
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; one-eyed, two-dimensional, tart yet satisfying,&nbsp;</p>
<p>while a salad Gauguin offers a lush green display,<br />
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; accented in deep reds, fleshy oranges,&nbsp;</p>
<p>sound of birdsong, the dressing citron-scented.<br />
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Select a wine as velvety and complex as an O’Keeffe&nbsp;</p>
<p>poppy, with the bouquet of a Santa Fe sunset.<br />
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Soup of choice might be the Paul Klee mixed-media&nbsp;</p>
<p>delight, polychromatic and hieroglyph-noodled.<br />
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; For the pasta of the day, try Miro’s dream-like swirls&nbsp;</p>
<p>smothered in a surrealist sauce, the plate edged<br />
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; with feathered parsley, followed by entrée Edward Hopper,&nbsp;</p>
<p>two lamb chops in rectangles of light, lying separately<br />
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; on a bed of lettuce, their eyes averted, the room silent.&nbsp;</p>
<p>For an extravagant finish, order a Dada dessert:<br />
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Hans Arp’s biometric baked Alaska, chilled to decadency,&nbsp;</p>
<p>and coffee then, of course, poured from a rococo-etched<br />
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; silver pot to accompany your sigh as a waitress&nbsp;</p>
<p>in a Degas gauze and satin skirt floats a bill to your table.<br />
&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; It’s not for a song, this lyrical melding of food and art.&nbsp;</p>
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		<slash:comments>2</slash:comments>
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